Author Archives: Lee Robertson

Hot sauce

South, south on the Caribbean coast of Costa Rica is a popular back-packers town with a heavy right-hand reef break. Turning up there and looking for a story I thought I’d write an article about an intense wave on a sleepy, reggae infused beach. Something like: “The mellow fishermen motoring back to shore, like to light up their smokes and watch the surfers slam into the reef”.

Of course life is never so obvious, and the truth is that we were at the end times of the towns old way of life and the beginning of the new. The banana plantations were closing down, and tourism was now in the ascendant, land being brought up quick and a core of expats moving in. Backpackers loved it, cheap rooms, cheap bars and cheap food were easy to find. There was a dark side too- unemployment and hard drug use. The border with Panama is a few miles away and a lot of jungle surrounded us.

Someone said I should meet Captain Zero, who had been in the town a long time and was also something of a legend, being a character in Weisbeckers novel ‘In search of Captain Zero’. A novel about a middle aged successful writer trying to track down his old chum from the days when they were surfing drug dealers. Word was Hollywood was about to make a movie, and I thought he would make an interesting interviewee.

I started asking Patrick , his real name,  about life in the town, he warned me off about featuring some of the local surfers in a journalistic piece.

‘We don’t like you writer guys buddy, we’d rather stay underground.’  He said.

He spoke loose and fast, with occasional ironic interjections. He wasn’t the easiest person to talk to, at times paranoid, at times expansive. He didn’t think the town needed anymore exposure. Quite a few of the expats were very uninterested in being found.

I changed tack and asked him about the surf.

‘Hell yeah, there’s some nice little zippers along the coast, they are magazine down there man.’ He said, his eyes were crystal dark in a milky sea. I was unsure whether he was friendly or not.

An old man now, he no longer surfed the famous break. He tended to live out of town. I wondered if he had anywhere to live at all. He gave me a monologue about his fight with Hollywood over the money he was owed for his about to be made portrayal. His rambling incoherence was interspersed with invectives against the machine, and his dream of operating a children’s charity.

I liked him, but he was lost. Drink, drugs and hard living had burnt him, leaving him fried, old and alone. He cycled off with his two dogs running around his wheels, trying to be proud, but the two beers I had given him had left him stoned and he wobbled badly on his bike and dropped the legal papers he had brought to show me. As I watched him go I realised I didn’t want to tell his story.

The next morning I got up early eager to hire a boat to get me into the channel to photograph some surfing. The waves were good, but from the shore you could only see white water. The wave was a below sea level dredger, a fall into the pit, with a critical bottom turn to miss the lip.  The only fisherman I could find was Sylvester, who’s laid back attitude was slowly disintegrating as he came down from a long night on crack. Because of the swell most boat owners were uninterested in taking me out, but Sylvester wanted to paddle me in a canoe. I was keen to go but not with this man whose gurning and twitching jaw was starting to lose control. As a last resort to get some money off me, he showed me a fresh livid machete scar on his arm, eighteen stitches rolling around his forearm, the result of a recent fight.

‘I no scared you, or no man, or no sea, we go now.’ He said, a touch of menace in his voice.

In the end I gave up on trying to photograph the wave and went back to get my board. Out in the line up the intense wave was no let up from the intense vibe back on shore. After a few waves I decided not to publish anything, there was no story. That was ten years ago.

 

 

In search of captain Zero (book)
Being Captain Zero (documentary).
As yet no movie has been made

A similar article to this was first published in KooK issue 1

Hot Sauceposted on by Lee Robertson in Photo, Surfing


Oh, the warm weather approaches, and time for those long evenings of dining and friendship outside.

Here is David Lynch’s take on the great summer pastime

 

BBQ Seasonposted on by Lee Robertson in Art, Music


Do you like that heavy soul/rock sound? A huge vocal talent? a really tight band? Then welcome to the Alabama Shakes, surely going to be having a really good time this year. Of several tracks available this was a hard one to pick. The album comes out early next month on itunes

Alabama Shakesposted on by Lee Robertson in Music


Here’s a great new video for the Arctic Monkeys

I have been a long time fan of this style of take, thumbs up Jones!

R U Mine?posted on by Lee Robertson in Music


girls on longboards? scratched knees? speed lines?

Endless Roadsposted on by Lee Robertson in Skateboarding


In 1819 Goya was a feted and popular artist in Madrid, being commissioned for many portraits of the rich and aristocratic, even though he was known for his unfriendly and brutally honest representations. He bought a small house on the outskirts of the city on the banks of the river Manzanares known as ‘the house of the deaf man’ unrelated but fitting, as he himself had become deaf. On the plaster in the house he painted some of his most disturbing works, a series of images known as the black paintings that are recognised as the beginning of Modernism, not that he ever meant for them to be seen or purchased. They covered the walls of his house, dark metaphors of pain and madness that were not discovered until after his death.

In the Prado museum in Madrid many of his great works are on display, and the ‘black paintings’ are exhibited in a dark corner of the museum. This image of a dog, painted onto ageing plaster with a few deft strokes impacted on me more than any other. It was never entitled but has become known by different names, most often as ‘El Perro Semihundido’ or ‘the half drowned dog’.

I first saw the image when I was twenty-five. At the time it resonated with me because I had been pushing my surfing to a point that was silly. I was never going to be a great surfer, but in the water I could be brave, and had not yet balked at size or power. The Atlantic can throw some sizeable waves in the autumns, and during the big swells of those years I would push myself into the ocean with what I hoped was nonchalance and calm.

One Autumn morning I dropped off a Californian surfer in Madrid for a flight, and took a few hours to wander in the Prado. This painting hooked into me, I kept returning to it. The little hound with unseen paws paddling hopelessly in a great dark sea, the towering mass of dread looming over him and the way he seemed to be close to the end, still struggling against the inevitable.

On the long drive up to Northern Spain that afternoon I pondered on the image and my own frailty and laid to rest the ideal that I would always paddle out. The plight of that little dog was a lesson in humility.

Goya’s Dogposted on by Lee Robertson in Art


I am hiding in a bush, deep in a Buckinghamshire forest. It is about four in the morning. There are several hundred people about, but I am safe, sitting down, hidden by the foliage. I can see feet and legs walking past. There are a lot of shouts and screams. The noise of an illegal early 90′s rave, deep in the woods is raw, anarchistic and throbbing with acid house. There are a lot of very high people, especially me. I have been trying to work out just how high I can get over the last few months, and this is a culmination. I am having a very psychedelic moment. What hasn’t helped is that I’ve been told that someone has been shot,  by the lorry trailer that is being used as a stage. It hasn’t stopped the music, but there is a very weird vibe going on. I am too high, I have taken a microdot every half an hour for the past three hours, I thought I’d keep on coming up.  I’d better sit down.

Soon I have to lie down and I let the light and shadows and footsteps and sounds wash into a maelstrom of emotion. Time, slip, slips and that distant dissonant beat is my heart. Then I hear a slow jangled fuzz with overdubbed throat singing. It is late and the dj’s have put on an album called ‘Chill Out’ by the KLF. Of course I don’t know this, and I am taken on an aural journey ‘all the way down the East Coast’ to a deep south Louisiana. There are trains, bleating goats, Elvis and Acker Bilk drifting through the forest. My heart slows from a rabbits pace to a slow steady metronome. When the beat eventually develops I have slowed my breathing down to a manageable level. Some forty minutes later as the dawn light starts to thread through the trees the album finishes and I climb out of the bush and wander back to where I left my car. It is a summer morning, it is a new day.

The KLF’s Chill Out arrived in the spring of 1990 and by that summer was already being feted as a huge underground classic. It was the beginning of a whole ambient sound. I would say it is one of the great vinyl masterpieces, which is ironic as the KLF always liked to be seen as musical swindlers. The KLF deleted their entire back catalogue in 1992.

Drummond said this about the album: That’s a very English thing and it has the vibe of the rave scene over here. When we’re having the big Orbital raves out in the country, and you’re dancing all night and then the sun would come up in the morning, and then you’d be surrounded by this English rural countryside… we wanted something that kind of reflected that, that feeling the day after the rave, that’s what we wanted the music for.

Writing this has made my palms sweat. One thing it taught me as I started to DJ was that all performances are about taking people on a journey. Cauty and Drummond certainly did that for me, and in homage, here’s a few minutes of a quick mix I made, I’m sorry for the weirdness, but well, you know…

Chill Outposted on by Lee Robertson in Music


20110813-IMG_9633Last summer I spent some time on the road working with Reef and occasionally with singer Gary and bass player Jack’s acoustic partnership StringerBessant. Reef played a lot of festivals, whereas StringerBessant would generally play clubs and bars and smaller more intimate venues. The Reef gigs are pure rock; Jack, Gary, Dom and Kenwyn all have natural stagecraft, their honesty and pleasure in playing together is obvious and by the end of the first number, in rain or shine, the audience is starting to rock out.

StringerBessant however is an altogether different experience, and a big change for Jack and Gary. They both have songs they had written that didn’t fit the Reef dynamic, darker, more personal and off kilter. These are harder gigs to get right. They are both much more nervous before a gig. Sometimes the audience are a bit boozy, and ready to party, or the audience are distant and not really listening. They come on stage and sit on simple chairs and begin playing. I often worry in the wings, it’s the wrong audience I think. But they aren’t, a few bars of the first song and I see the audience listening intently. Then I relax and put the merchandise out. The best gigs are those with tables and chairs, softer lighting. The stage close and more intimate. Their songs have taken time to sharpen over the year, often becoming sparser and more understated. Like architecture it is the space rather than the framework which generates the vibe.

This is a gig I filmed for Jack and Gary in the spring last year. It’s at a small barn where they rehearse and recorded last years album ‘Yard’.  Jack’s family supplied  hot cider, one of the guests some sausage rolls.

It was a hard film to make, trying to be unobtrusive in a small environment and trying to capture the feel of the gig in one song, anyway I hope you enjoy it. Personally I’m pleased with the sound of the cider pouring. The song is ‘give me the keys’,

Unfortunately all the copies of the album were lost in a fire during the riots in London. There should be some more printed soon, itunes have the download.

Stringer Bessantposted on by Lee Robertson in Music


flip flops

First morning:

A mosquito fizz in his ear, one eye opening and a realisation it was the approach of dawn. He rose padding on bare feet across the grass mat in the basic kitchen, enjoying the texture. Yawning and loving  the warmth of the pre morning, he felt just a slight chill on his waking body. He found some shorts on the door handle and pulled them on as he looked over the dark beach to the bay, some lines of white giving less of a signal about the state of the surf than the crisp snap and roll of sound coming from the point. He was surprised at how well he felt. The journey had been long.

He had been surfing for half a lifetime. He was tied inextricably to the thin merge of land and sea. At times he had railed against it, wanting to leave the coast for the moneyed city, to return with car and house and boat and freedom to not work. But he never did, he painted houses and helped the local builders. He went surfing because it seemed right.

 

He walked along the beach, wide awake now, although the sun still yet to rise, his surroundings still monochrome except a faint yellowing above the low hills inland, the sand cool under his toes and unmarked except for the crab prints racing to the sea. He felt a little sick and cold in his stomach, slightly nervous. He had eaten little for some days now. There had been a lot of drinking before he left, and the journey had been a mix of alcohol and sleeping pills, the flights a confusing memory of trying to get his head together for customs and wondering why fellow travellers weren’t interested in talking to him. Never mind, he had arrived, to the beach he loved, where life was cheap enough to stop worrying about funds for a while, where people remembered him for the good times, not his drunkenness, and where the waves were good enough to nearly scare him.

 

There was a time when he felt good about himself. In his early twenties he had been a beach lifeguard, in the village he grew up in. One summer, she arrived. She started work with him, without him being consulted and without forewarning. At first he was angry, then he tested her, trying to prove she couldn’t do the job, but she was able, and after a week of difficulties he began to like her. She had come from the other side of the world, to stay with relatives, to escape from her sheltered life, to live her own life. She had none to judge her, she had none to tell her what not to do. She had fun, she was wild, a freespirit in a community that had otherwise known each other from childhood. She had nothing to lose, she was making a big splash. All his peers wanted her, but it was with him that she laughed the hardest, and him she sung with at the bar, and with him whom she slept with platonically after being up all night (although he never slept, he looked at her), and him whom she eventually loved one morning after being up all night, (it was her first time, although she never told him).

 

As the greys of the night lifted to be replaced by yellows and pinks of a tropical morning, he saw that the surf was indeed good. A hundred yards offshore the reef at the point picked up the swell and threw it across the shallows. Not that big, but good enough for his pale, flabby grey body. When he had tanned, eaten well, and surfed more, he would welcome some power, today it was perfect to be small.

He walked on a little more to the end of the beach, where the sun was now lighting the rocks and cactii. It felt like the touch of god as it enveloped him in warmth. There was no hurry.

 

They became inseperable. At the beach they were surrounded by friends. He became expansive, humourous, full of tricks. They never wanted a day off. It was their space for a moment in time in the long history of that place.

Of an evening, and their work done they surfed with the setting sun. As the land cooled a fire would be lit, someone played guitar,together they accompanied, singing or banging an improvised drum. Eventually they would grow tired and cold, the wood running out, the walk home a shiver of early hours dampness.  He had never been happier. She started a fire in him where he never knew one existed. The people had never known better lifeguards. They gave the youth an interest in the ocean. Home caught Lobster, crab and fish were eaten in many of the homes that year.

 

He returned to his shack and ate fruit, slowly he pulled out his old board, fixing in fins, and a leash and rubbing in new wax, as he worked he looked at the sea. The light now flecking gold on the purple ocean, the clouds in the west now with definition and depth. Some fishermen the only humans on the shore, though he felt sure it wouldn’t be long before some other surfers ventured out.   He touched some white to his shoulders and nose. He lifted his board, looking at its shape, the short walk down to the sea, and the long paddle to the point.

 

That winter they were allowed to rent a fine house overlooking the beach until the tourists returned in late spring. He was working for the local construction crew and earning good money. She had been asked to nanny for a new rich family in the area. Their house became the winter beach, and after a cold communal  surf on a Sunday morning the house would be full of people cooking a fine feast.

One evening he made a speech to their friends. They were to marry. A ceremony on the beach in the Spring, fly to the tropics for a surfing honeymoon, onto her family for more celebrations then back home for another summer. There were cheers all round, and an engagement party to be remembered. Bands played, Djs spun and many folk carried on to the next evening.

 

He yawned as he began the paddle out through the shallows, watching tiny fish scatter around his fingers. There was still no wind as yet, and the seas in the bay hardly stirred. He watched  a golden line of sunshine reflect in a wave out on the point, bending into the barrel. it was a little larger than he had first seen, around head height. It seemed so tranquil, yet he knew that the waves he watched were anything but. He made a slow sweep round to the take off point, sat on his board and lifted his arms to the Sun-God.

 

in the sea

They stopped off on their journey to the other side of the world at one of the worlds best surfing locations. It was busy with other travelling surfers, but he felt fit and ready. She had never surfed such intense waves,  the coral  seemed nature perfect to scour flesh from bone and as she rose and fell along the waves the reef came in and out of focus through the clear shallow waters. He surfed it with abandon, those fingers of pain were sometimes only inches from his sun browned back as once again he failed to get out of the deep positions he volunteered himself too. His surfing had become sublime, she watched with pride as nothing fazed him, his surfboard as much a part of him as his heartbeat.

Then came a day of big surf. They paddled out together, it meant a lot to her. She had never seen this size, he had been in waves as big, but never at such a shallow reef. For him it was a cumulative moment, he had never felt more ready for the wave of his life, it was so overwhelming that he failed to see her fear.

He took a wave and she heard him hooting all the way down the line, she laughed for him, though nervously, as she watched the sets. She hadn’t yet had a wave.

As he paddled back he saw she was in the perfect position for a perfect wave. She would be very deep if she managed the drop, but it would be the best wave she would ever have on this best of possible days on this best, most optimum time of their surfing lives.

He shouted for her to go, she prevaricated a moment, go, go he screamed, and she did, dropping in past his flashing smile. But she wasnt smiling. From behind the wave he saw her disappear down the face and then nothing for a moment and then a hint of her body as she was caught in the water going over the falls. Something fell in his body and he started paddling to her. He waited for her to come up in the white water, nothing until he saw her face down as the water stilled. He swam to her, waves washing them down the reef, tumbling  them over and over together until he eventually got her to the shore. They were both covered in cuts, he was sure he could bring her round, he knew exactly what to do, as did others, but no. The realisation she had died was about twenty minutes after he had shouted at her to go go go.

 

Out at the point the reflective sea was now almost too bright for his eyes. His first wave had been fine enough, he had shaken off the slough of travel as he slipped down the line, weaving a route of no wetsuit freedom.

After a wave or two more he stopped being nervous.

After an hour he moved into a state of thinking no-thing, his surfing now an extension.

 

It took a long time for him to come home. He phoned her family once and then he disappeared. He wanted to be noone. He would laugh at any attempt to befriend him. He worked a sucession of basic grafting jobs. He washed dishes in hot steaming kitchens in humid heart of darkness cities. His monthly pay was less than he would have once been paid in a day. He survived, though he was on the draining board of humanity, and sliding in the sink of lost souls.

Eventually he returned to the village, he hated it.
sink of lost souls
Waiting for sets and the gentle slap of wavelets pat, pat, pat on the underside of his surfboard, a metronome to his stilled mind, a mantra to his surfing. The sun high and white, the surf fast and clean.

And as so often happened now at this point, he broke down- Surfing the one thing that meant so much to his life was also the trigger for his agony. Is hell not paradise?- The yin and the yang, the pleasure and the pain, the futility, the inevitability, and the years and the years.

His & Hersposted on by Lee Robertson in Surfing, The Road


Ig Wilkinson

Something I love about being part of a small surfing community is seeing the movement of life in the folks who surf there. It’s a cyclical process that I love to document. As the tides and the seasons change, as sandbars and reefs turn on, and turn off, as more surfers arrive, then leave. And as kids learn as youngsters, terrified of the swells, becoming the hot groms, the feisty new guard, and on to the mature easygoing regular, I love to see the change, and the continuity. It’s all about waves …and wheels.


igwood
Here is a film by Ig Wilkinson, who I have known for some years. A regular face in the line ups of the Hartland Peninsula, he’s a powerful surfer, prone to explosive manoevers that probably has something to do with being a high ranking Mountain Boarder. What I really like about Ig though is his talent for creating things. He arrived at the pub jam night once with a guitar he had made, in a fine case, also handmade. This year he turned up at the local surf competition with some boards he made from wood. A shortboard, light and hollow, an alaia, and a solid longboard. He has never failed to amaze and surprise.

Recently Ig explained how he had been asked out to Portugal to design  this micro park near Peniche. ‘Its my mate Alex Broumbas’ surf lodge, space was tight, we finished it, polished and couldn’t wait for it to dry’

It’s a sweet little movie about the park, typical of Ig: A bit punk, freeform, fun and anarchistic, but also full of good design and workmanship. Bravo.

The guitar is by Louis ‘Oak’ Anderson, another creative surfer from The Hartland Peninsula

Ig Wilkinsonposted on by Lee Robertson in Film, Skateboarding